Times Trans-shifting

for orchestra


Duration: 7'

Orchestra: 2222; 4220; timp, 1perc; strings

“moving...long-haunting”—Paul Sweitzer, Flagstaff Sun, February 21, 1985 (written of Cortège, the first version of this work)

Full study score available for purchase at Subito Music Distribution. Performance materials available for rental only through Subito Music Rental Library.

View sample pages of the score.

(The following audio demo is a digital realization using instruments from the Vienna Symphonic Library.)

Composer Notes:

I sing of Times trans-shifting; and I write
How Roses first came Red, and Lillies White.
—Robert Herrick

In 2007, not long after my father passed away, I found myself thinking about an orchestral work I had composed titled Cortège that had been premiered by the Flagstaff Symphony in 1985. When I opened that score again, I found myself spontaneously reimagining it, mentally hearing the music substantially changed from what was written on the page.

A review of the premiere of Cortège had described it as “moving” and “long-haunting,” yet in my mind I was now rehearing it as a more intensely passionate work. Trusting my gut, I treated the earlier score as a sketch and reworked it measure by measure from beginning to end.* Besides hundreds of changes of detail, I cut a middle section and extended the ending section. The change of title reflects the music’s changed significance for me.