Finding My Way
I started composing for fun at age fifteen, and for a decade and a half I enjoyed exploring a wide range of stylistic materials—from blues and jazz to Renaissance madrigals, and from classical tonality to atonal modernism. Eventually, after composing dozens of pieces, I found myself deeply fascinated by some stylistic possibilities, and surprisingly indifferent to others.
As these intuitive preferences emerged, I concentrated on working with various combinations of materials and techniques that I found deeply engaging. By allowing my preferences to emerge intuitively—from bottom-up mental processes—over time a loosely held sense of stylistic direction began to emerge from my continued fascination with particular stylistic qualities and aesthetic traits.
Among the clusters of stylistic qualities I find most fascinating are captivating melodies, a sense of physical motion, and flexible forms of modal/tonal organization. Some aesthetic traits I find especially fascinating are strikingness, vivid expression, and a sense of mercurial temperament.
I hope my finished works will engage performers and audience members. But I’ve learned from experience that to fully enjoy the process of creating new compositions I need to work with musical ideas that I myself find deeply engaging.